O! How The Mighty Hath Fallen!

...

Yeah, I'm just kidding. The news was released yesterday via Tweety Bird and fashion journalist Jim Shi that Freja "Face of Chanel" Beha will NOT be the face of Chanel for 2012. Well, he didn't say so explicitly, but he didn't really have to. Whatever, here's the tweet:

I'm guessing you are all well pissed off right now right? Like on a Richter scale, you're the equivalent of that earthquake in Turkey? And to think, you're all just walking about, ready to explode at any unsuspecting stranger...

Well. I understand the anger, truly, I do. Freja has been the Chanel girl for what, the last five seasons? It has become a constant, expected thing. Some of you might not have been there at the beginning of fashion season, but I was, and this is what happened:

Naive Person: "Will Freja open Chanel? Will she close? Will she be in the campaign?"
The Voice of Reason: "Uhm derrrrrr; is the Pope a Catholic?"
Naive Person: "I think he is, actually, yeah."

Of course, the rest went down in history like The Flintstones and now everyone's wondering what the shit just happened. This is the part where I confess that I have NO idea. But somehow, I'm not worried.

Freja has been the Chanel girl for ages, but I think it is really important that we don't become reliant on that single image of her. Despite what advertisers would have us believe, Freja and Chanel are not synonymous. They can exist in unison, or independent of one another harmoniously. It's not as if Freja's career is now over; in fact, I would almost argue that it is quite the opposite: now that Freja is not entirely tied to Chanel, it opens up the opportunity to work for a wider variety of haute couture clients.

Allow me to elaborate on this brilliant little seed germinating in my mind.

For the last two and a half years, the fashion world has been fixated on this notion of Freja being Karl's muse. She is involved with just about everything he does, whether it be magazine editorials, shows, campaigns... even one of those calendars where you strip down and don a strategically-placed yamaclaus as Ms. December in the name of charity. Except that this one had a more artistic spin and was sold to make money for a wealthy tire company in Italy, instead of the children in third world countries.

Golden cod pieces aside, my point is that Freja and Karl have been nigh inseparable for this whole period of time. The problem this poses is that the implicit associations between Freja and Karl, or Freja and Chanel mean that no matter what brand name is on the ad, we will see Freja's face and immediately think "Karl" or "Chanel". I dub this the Lara Stone Conundrum.

For those of you who don't know, Lara Stone is BIG. Big boobs, big lips, big tooth gap. Big eyes that will stare into your guilty little soul. (She used to have a big forehead too, but then her eyebrows rematerialized.) Big attitude: a girl was loitering in front of her once during a show, so she shoved her out of the way. Of the incident, she replied "It was only a few stairs." Lara Stone, to be completely blunt, is sex appeal. And until extremely recently, she had a monopoly on almost EVERY campaign Calvin Klein produced. You used to think "Brooke Shields" or "Kate Moss" when you thought of Calvin Klein, but now it is "Lara Stone".

Fortunately for CK's bank account, this genius marketing ploy goes both ways. If you see Lara somewhere, you don't think "Prada" or "Versus". You think "Calvin Klein". This will take time (and perhaps the new found eyebrows?) to change. So Tom Ford, until further notice, is doing free advertising for Calvin Klein. Just so that you know.

Fortunately for Freja, she has not been as pigeon-holed as Lara Stone. Where the terms of Lara's contract essentially meant she was promoting ONLY Calvin Klein each season, Freja has been busy with campaigns for other labels, not just Chanel. A strong relationship with Valentino has been developing for the last few seasons, as well as a string of H&M and Harry Winston campaigns. Freja is even setting up shop with Denmark's oldest luxury jewelry label Georg Jensen, not just as the company's face, but also as a designer. Earlier this month, she even became a philanthropist, which was totally rad (do we want a post on this?).

Suddenly, Freja and Chanel are looking more like biffles than conjoined twins, am I right?

So in response to the frantic emails pouring into my inbox even as I type this, no, I am not worried. Freja's career will live on for many years, whether she continues to appear in Chanel ads or not. (In fact, chances are that she'll pop up in the eyewear campaign, or maybe even a perfume ad?) Who knows, I wouldn't be surprised if she gets a single-girl campaign for F/W 2012. If Freja and Chanel are done forever, I will happily eat a bolt of tweed, but I hardly think that that is the null hypothesis in this situation.

I, for one, am happy for the girls who did get the campaign. Saskia has been getting a lot of hype the last two seasons, and I am looking forward to seeing how this all turns out for her. And Joan Smalls? When was the last time Chanel had a black girl in their campaign? Racism has been a huge topic in fashion for such a long time, and I think it's great that we are beginning to see some of these barriers broken down.

This is my take on it all, but I know there's a wide range of opinions on this particular subject, so I'll leave the rest to you. If you agree, or disagree, or differ in opinion, I would love to hear what you have to say, and I'm sure everyone else would appreciate another perspective. So please take full advantage of the comment section below!

If you're not comfortable with discussing this at the present time (for whatever reason: shyness, anger-induced silence, carpel tunnel, lack of fingers, whatever), I'll leave you with this: If you can't be happy for Saskia and Joan, be happy for the bright future Freja has ahead of her. She's facing the sun now, but she's definitely not casting any shadows.

Peace, love, and floating,
Gill Ford

P.S.: I'm pleased to see that you are taking full advantage of my email address, and encourage you all to continue to do so as you feel the need. I'll do my best to answer any questions you have, whether they be Freja-related or otherwise. If I'm stumped, I'll try to refer you to someone who's smarter than me (I keep tabs on all three of them) so you can get your business sorted. Today I dealt with some fun issues that included anorexia, lesbians, and what I did on Vladimir Putin's birthday. So you know, anything goes.

P.P.S.: I'm also aware that the night is dark and full of terrors, and you were all left in it for the last five months. So if there is anything that you know happened, or suspect might have happened while you were flailing about like headless chickens, give me a shout and I'll wiggle my fingers about with some scented candles and tea leaves and we'll see what happens.  

The Tale of a Fairy: A Study in Frejanomics and the Catherine McNeil Effect

So, the reviews are already pouring into my inbox and the comment section, and I'm happy to report that you all love me. My ego and I agree that we like you, Freja fans. To be precise, we think each and every individual one of you are a cornucopia of awesomeness (that one's for you, Canadians).

Because I'm just raring to go, I'll chuck this article at you. Written back around the time this blog stopped being updated, it is my own reaction to Karl Lagerfeld's The Tale of a Fairy. On my blog, it generated a fair bit of discussion, and that was just a small group of Freja followers, so no doubt putting it here will give you all something to mull over.

I mentioned a little while ago that this blog would not be about Freja's personal life. I suppose this post makes me a liar, but I think it is necessary to confront this topic specifically at this point in Freja's career, which is quite clearly reaching a tipping point. While initially a sort of cult model, Freja is moving fast towards supermodel status, and with that comes a host of new factors with the potential to influence the future of her life in the fashion world.

So chew on this for a little while. Spit it out if you don't like it. But when you're done, come back and post the bits that got stuck in your teeth. I want to know what the after taste was.

*******

There is little else in the world of fashion that is more exciting than the Chanel Cruise collections, which are shown in wealth-laden/fantastic/breath-taking locations each year. But this event is not anticipated for the clothes so much as for the inevitable euphoria that comes in the form of Kaiser Karl's endeavours into the world of cinema. Last year, he took us to St Tropez with the gripping feature Remember Now. But for 2012, he has really given it his all, travelling down the coast to the Antibes for The Tale of a Fairy (Part 1, Part 2), starring a frighteningly high-strung Kristen McMenamy, a gorgeous-as-ever Anna Mouglalis, and a curiously talkative Freja Beha Erichsen. There's some pretty boys as well.

Karl's filmmaking skills have certainly improved since last season; in terms of the cinematography, it was very well done, and the acting wasn't quite as horrendously embarrassing and discomforting as it was last time around. Of course, nobody really payed any attention to any of that sort of thing. I mean, I would totes magotes have found those facets interesting. I might even have paid attention to the clothes if Anna's numerous admirers were ever wearing any. As it was, I was distracted by the same thing as everyone else, being the Sapphic shenanigans that completely dominated the final 25% of the film, during which 90% of Freja Beha's fans sighed with cathartic satisfaction.

I mean, as scandalous as it is, who really gives a shit that Kristen McMenamy is apparently carrying on with Baptiste Giabiconi, who is apparently her godson? Who cares about how 'pretty' the film looked, or how 'creative' the collection was, or how 'improved' Karl's cinematic skills are? Keeping in mind that we have not been enticed to look forward to this annual event in the expectation of anything Oscar worthy, one would think that the latter might have been noted more by all the highly educated, realistic, and critical viewers who turned up for the affair. As this was not the case, The Tale of a Fairy will be from hereafter referred to as The Time Where Freja and Anna were Pashing in the Lou. Or, for a multitude of others, The Time Where Freja Was Pashing Someone I Didn't Know, But Imagined was Me, in the Lou. 

I don't know what Chanel herself would have to say about all of this, but I have a feeling that it's not really a good sign when the clothes you have made are not just overshadowed, but entirely ignored because you've filmed FBE enjoying the taste of another girl's cherry chapstick. I read an article a few days ago that I found rather interesting, and actually quite relevant to this case here. Under the title "Skinny Again, Crystal Renn," David P Dykes (the irony is killing you all right now, I know) of fashionising.com muses over the famous anorexic-turned-plus-sized model's recent shoot for TUSH with Ellen von Unwerth, and the concept of the "celebrity model," pioneered by (who else) Kate Moss and attempted by various others, none of whom have managed similar success. He notes that "the Catherine McNeil effect" (a.k.a., when the celebrity of a model takes precedence over their work) is one that a number of models have unfortunately fallen victim to as models become ever more interesting to the public. Renn, who is perhaps the most well known plus sized model in fashion right now (seriously, Tyra, shut the fuck up), is remarkably un-plus sized in the shoot. I would particularly like to draw attention to the final part of the article:

[...] when you're a model your career is dependent on helping fashion houses sell clothing and accessories but their target market sees your photos and take in solely the shape of your body, there's a danger for your career.

In the same vein, I am wondering whether Freja's personal life may threaten the longevity of her career. There are many brands making money off of her at the moment (Georg Jensen and Harry Winston, to name a few), and I am curious to know what about her appeal appears to be driving the sales (assuming that there are no confounding variables in the correlations between her being the face of a brand and that brand's sales spikes). Does Freja sell because of her 'look', or does she sell because of the asterix note that reads "lesbian"?

I find it hard to believe that enough people are aware of the numerous rumours surrounding her personal life for there to be any reason but the former. She is (in)famous across the fashion industry and it's followers, but I think it would be ridiculous at this point to suppose that the majority of the general public even know what her name is, let alone what team she purportedly bats for, and that seems to be the best thing for a model. But with Freja's ever-rising popularity and notoriety, I fear that she may find herself falling victim to a similar fate as her rumoured ex (Side note: if this ends up happening, how incredibly tragic is the tale of McBeha? Someone tell Karl. Sure, a tragic film might get you a SAG award, but a tragic film about lesbians? Charlize Theron and Natalie Portman will be the first to attest that those ones win freaking Oscars.). What happens when people do know her name, and even more dauntingly, care enough to investigate what's going on behind the scenes? How will designers (other than Karl, obviously) react to a model who the public views increasingly as "the lesbian model"?

If the most recent pigeon-holing of Freja as "the androgynous model" is anything to go by, labels are hard to shake in an industry where models are meant to be blank canvasses. The boyish cut Freja sported for a couple of years resulted in a drop in her workload that rattled her loyal fanbase. But hair grows back, and once hers did, the pigeon-holing began to happen less frequently, to the point where she is now garnering more attention from designers with more feminine aesthetics. It is my hope that the growing publicity surrounding Freja and her sexuality does not become a limiting factor in what is an already stellar career, but as Dykes so eloquently indicated, fashion is not supposed to be about the model, but the clothes and the message of the brand that model is promoting. Freja is a good model to be sure, but is she good enough for designers to risk including the (sometimes dangerous) term "lesbian" in their list of attributes? I certainly don't care, but then, I am not a market scientist.

Cometh the Catherine, cometh the Freja.

Peace, love, and floating,
Gill Ford

The Full Film

Without further ado, the critical masterpiece that we've all been waiting for:

I was expecting to be be delightfully entertained from second-hand embarrassment, but I actually think Karl made a decent film this time around. I wasn't cringing (that much) and everyone played their roles well. I guess no one was really playing too far out of their comfort zone (unlike Freja as a Chinese peasant girl) so that helped with the flow and execution of this film. Things were more believable and realistic, keeping in mind that the "reality" portrayed is true for like .0001% of the human population. But that's Karl Lagerfeld for you. It's about the glamor, the luxury, the unattainable, and the fantasy.

Would we expect anything less from the Kaiser? No, of course not. And that's what attracts us to high fashion. We can get lost in a world far away from our own. It's interesting that fashion itself can simultaneously occupy a very basic utilitarian role and an escapist role in our lives. It's operating on two ends of the spectrum, which of course brings me back to Freja and the many paradoxes that seem to contribute to her being: modern yet classic, commercial yet high end, distinct yet malleable, and so on and so on. I'm digressing.....I thought she played the Fairy role as best as she could and she did a good job. She looked gorgeous and I'm sure many girls are questioning their sexualities as we speak. Although I wish Karl would stop using her as a gimmick so much. But Freja's obviously more comfortable with it than she was at the beginning of her career, so good for her!

In any case, your thoughts? Did you love it? Hate it? Find yourself wishing you could teleport into Anna Mouglalis's body? Find yourself unable to stop drooling over Mark Vanderloo? Who am I kidding....I know my audience here, so I'm pretty sure I was the only one looking at him and not Freja. ;)

Videos courtesy of Chanel.com and FataleFashionII Youtube

The Tale of a Fairy

Chanel has just released the trailer for it's upcoming short film "The Tale of a Fairy." It looks deliciously full of lolz and I for one can't wait to see it. I need a good laugh right about now.....I think we all do after the craziness that life has thrown at the world: Japan, tornadoes in Alabama, Osama, etc... Freja plays the title role, which of course requires her to frolic around half naked, kissing random women. I guess Karl wanted her to feel comfortable with her role.

Anyway, the film will be shown Monday May 9th in conjunction with the Chanel Cruise show in Antibes. Us plebians will get to view the sure to be masterpiece on Tuesday, May 10th when it plays on Chanel.com. Until then, for your pleasure:

Edit: omg, Mark Vanderloo is going to be in this! I had the biggest crush on him when he did those DKNY ads with Ester Canadas. And I have to say that he's still looks amazing. Ahhhh flashbacks.

One Girl

Seven Chanel campaigns overall

Five in a row

Three solo campaigns

One girl

It really doesn't get any better than that. As WWD tells us, the F/W 11 12 Chanel campaign was shot in Paris and styled by none other than Carine Roitfeld. With the darker and tougher collection, Carine styling and Freja modeling, the results should be nothing short of amazing.

But wait, it does get better.....kind of. Depends on whether you enjoy Karl's short films, because he's shooting another one for the upcoming Chanel Cruise collection.

"To wit: Lagerfeld has assembled a slew of his favorite ladies — including Erichsen, Lady Amanda Harlech, Anna Mouglalis and Kristen McMenamy — to star in a movie he is making in tandem with the Chanel cruise collection he will show in Antibes on May 9. It will be shot in Monaco and other locations in the South of France."

With this 7th Chanel campaign under her belt, Freja sits firmly at the top of the modeling world. I started this blog partly so I could vent about what I saw as her wasted potential back in '08 and '09, but now that she's so successful I really don't know what this blog stands for anymore. Maybe it's segued into an homage, or a place to talk about the work free from petty gossip, or a force of writing habit, or.....I don't know. Whatever it is, I'm just so happy and proud that we've all been able to witness the changes, the ups and downs, and the transformations as they've happened.

Numero and Videos

Hooray! We finally have some proper scans of Freja's Numero editorial:

Bal de la Couture
Numero #121 March 2011
Ph: Karl Lagerfeld
Styling: Capucine Safyurtlu
Other Models: Arizona Muse

No wonder Freja and Arizona were photographed together so much this past runway season in Paris. They probably became fast friends after working in such close and intimate conditions. "Why yes, you're naked and pressed up against me....where are you from again? And what's your son's name?" Nothing like some good old fashion nudity and gender bending to bring people together and get them to drop their pretenses.

Starting with a Vogue Italia cover and editorial back in January, editorials in Vogue US and W magazine for March, and now this Numero cover and editorial, Freja and Arizona have worked together so much I'm beginning to wonder if they're a package deal or something. If they were actually at the same agency, the idea wouldn't seem too far fetched.

Anyway, I don't mind Arizona at all. In fact, I'm quite in love with her print work. She's wonderful in front of the camera and I have a soft spot, lots of admiration and respect for single mothers. Every time I see her in another editorial or campaign or whatever, I have the urge to yell "you go girl, you get that money," while Destiny's Child's Independent Women Part 1 plays in my head......but I'm just weird like that. Damn, I used to love that song. Still do!

So back to the work. This editorial is nothing to write home about aesthetically. Though I do think it's quite beautiful in it's simplicity. Nothing to distract from the clothes, yet the subtle interactions of the models make things interesting enough. (And is it just me, or does Karl have a thing for Freja as a guy and conversely, Baptiste as a woman?) I'm just happy to see Freja being photographed for an editorial by Karl again. Maybe he's getting ready for another Chanel campaign? ;) I sure hope so...... And I also hope for more work with Freja and Arizona because they have good chemistry on the page, and they compliment each other pretty well.

In other, semi related news, I have a few videos to post. The first is a behind-the-scenes look at the recent Chanel F/W 11 show via vogue.co.uk. You get a good sense of the atmosphere and a glimpse of Freja towards the end during the runway rehearsal:

The second video is yet another H&M tv spot. I swear they churn these things out like butter, but it's nice to see Freja finally getting her due and recognition on the commercial front. It's something that I've wanted to have happen for quite a while now, so it's awesome to actually see it come to fruition:

Image Credits: scans by tFS member skalty, videos courtesy of vogue.co.uk and hm.com

Chanel Haute Couture

No surprises here. Freja showed up at the Chanel Haute Couture show earlier today wearing three beautiful looks. No special treatment. No opening or closing looks. No smirks. No different hair style. She was just one of the runway girls, and I don't know why but that's utterly refreshing to me. Sometimes you just want to see a model do her job and do it well, without all the fanfare and hubbub that can happen.

The toned down affair, both in setting and in color, was quite beautiful if misleadingly simple. If you get a chance, zoom in on the details and you'll see what distinguishes Haute Couture from RTW and why these pieces cost upwards of tens of thousands of dollars. Freja wore a softened expression on her face to match the mood, instantly drawing up nostalgia in me for the old days. I definitely don't miss seeing that hard, stern glare that used to be her frequent runway companion. What always surprises me with models like Freja (and Raquel, Daria, etc.) is how they manage to seem ageless despite surviving through the rigors of a stressful industry like fashion. I guess the ageless gene, in addition to the skinny, tall, and good skin genes, are what distinguish them from us mere plebeians. ;)

Valentino Haute Couture shows tomorrow....any bets on whether Freja will be there or not?

Image Credits: style.it

Runway Randomness

Freja popped up in Berlin yesterday, making a runway appearance at the Hugo by Hugo Boss show where she had the honors of opening and closing. Random, no? Then again, to my memory, Hugo Boss always manages to snag a few big name models for their BFW show. I'm sure they pay very nicely. And it's nice to see the return of a sleek and clean runway version of Freja.

Brings back memories doesn't it? Memories from her earlier seasons....

In other runway news, the Haute Couture shows start next week and Chanel is showing on Tuesday, the 25th. So mark those calendars you avid Freja watchers. Bets on what role Freja will play this time? After being singled out during the Pre-Fall show, I wonder what Karl has in store for her this time, if anything at all. Another fact of note is that Karl is once again foregoing the epic proportions of the Grand Palais in favor of more intimate settings at 46 rue de Cambon; not to be confused with 31 rue Cambon, the address made famous by Coco Chanel. So no elaborately huge runway centerpiece this time around. The economy is only showing slight signs of recovery, so excessive consumption is still a bit taboo.

Anyway, all this runway randomness just adds to the excitement about the F/W 11/12 runway season peeking right around the corner.

Image Credits: scans by tFS member Alien Sex Friend, fmd1.com, elle.de

A Flood of Ads

When it rains, it really pours. Much like the deluge that those in California experienced these past few weeks, the fashion industry has seen an out pouring of the campaign variety. And not one to be left out these days, Freja makes her (newly cheery) presence known in campaigns for three brands:

Chanel by Karl Lagerfeld
(Nothing too special, but I guess the formula works for Chanel customers, which is why Karl has stuck with it for the past few seasons. Last two shots are my favorites.)

Louis Vuitton by Steven Meisel

Georg Jensen by Unknown Sebastian Faena

Sometimes I still can't believe how popular Freja got. All of these campaigns? Three Vogue Italia covers within a year? Status as a Meisel favorite? A few years ago all of this would have been unimaginable to me as a fan, and maybe that's partly why I started this blog. Because I just couldn't understand why such a wonderful, versatile, enthralling and intriguing model was being overlooked by nearly everyone except Karl Lagerfeld. So I just had to write about it. And now here we are and Freja is definitely no longer overlooked (but I do not take credit for this, lest you misread my words). She has worked with nearly all the top photographers and been featured in nearly all the major magazines. She also has plenty of stans, tumblrs and sites dedicated to her; enough that I continually question myself about keeping this one running because it feels like there's less and less of a reason to do so.

Anyway, lots of people say that she is overexposed and I actually completely agree. But you know what? I'm just going to go with it because she is a great model (those who say otherwise have no knowledge of her complete oeuvre) who deserves to be acknowledged after 6 years of hard work in the industry, and truth be told I'd rather see her face plastered everywhere than some 16 year old's. The requisite backlash and bashing that comes with this kind of model success has already started in the tFS campaign threads, and I only expect it to get worse. But c'est la vie. You don't survive for half a decade in the industry without developing a very thick skin. And let's face it, most of that anger is displaced disappointment about people's own favorite models not getting certain campaigns or not being featured in certain magazines.

It's no secret that I have my own love/hate relationship with Freja's image in the modeling industry. Maybe hate isn't the right word....annoyance is more like it. I've been guilty of expressing my fair share of criticism, but it comes from a place of respect, admiration and a complete belief that Freja is capable of being more than just the stereotype that she's been saddled with. I think we're seeing signs of a sea change now, as a few of these ads show a new direction for Freja. A direction where she is allowed to be happy and radiant instead of only tough and morose. If so, then this underexposed aspect of her modeling is another welcomed chapter in her already illustrious career. And I hope it means that 2011 will be a year of continued evolution and more surprises, instead of overexposure and hackneyed concepts. Whether I'll write about it as much as I have been is up in the air, and I guess subject to my own whims and boughts of inspiration. Then again, maybe this is all just the post-holidays blues talking, so we'll see!

Image Credits: scans by tFS members gossiping, rox_yr_sox, style_expert

Chanel Pre-Fall 2011

As expected, Freja walked for the Chanel Pre-Fall 2011 show held earlier today in Paris. And she closed the Byzantine spectacle wearing a long, flowing coat with matching hair to boot.

Looking a little mean there Freja...


...there, that's better.

When was the last time she missed a Chanel show? Maybe the SS09 show two years ago when she missed all of Paris? Anyway, I'm beginning to think that Karl really sees Freja as the female equivalent of Baptiste. She travels with him, is involved in nearly all of his projects, and she's treated differently from all the other female models. Case in point: the way she was styled for this show. All of the other models had their hair put up in bee-hive bouffants, but Freja had hers down, styled to look the way it always looks nowadays.

I don't know if this special treatment from Karl is a good thing, or a bad thing. Probably a little bit of both. As one of you pointed out in the comments of this post, albeit jokingly, maybe Karl is trying to make Freja and Baptiste into twins....lol. I really just don't know. Why do you think Freja is getting treated differently? Perhaps it's a display of trust and comfort on Karl's part? Or maybe a request on Freja's part? It will be interesting to see how their working relationship further develops in the coming months. After Pirelli and this runway, will we continue to see Freja being used unconventionally? Your guess is as good as mine.

Image Credits: wwd.com

Byzantine

Just in case you forgot, Chanel's pre-fall show is happening this Tuesday, December 7th. And oh la la, the theme appears to be Byzantine. Guess that's explains why the show is being held in Paris this time around. As powerful as Karl may be, even he can't resurrect a bygone empire for a Chanel show. So don't blame the recession, don't blame an unsteady economy, don't blame consumer uncertainty; blame the Byzantine empire for not being around anymore to provide us with the locale to match the theme. ;)

I think the odds are pretty high that Freja will make it to Paris in time for the show. After donning a codpiece for Karl, he owes her at least that much. But Freja's apparently in China New York right now shooting something (any fans out there know what for sure?), so I guess that means she'll be traveling this weekend....hopefully. Fingers crossed. I don't know about you, but I definitely want to see what Karl puts her in after Pirelli.

Image Credits: chanel-news.com

Acting Break

Remember this little gem? Yes, the Chanel Pre-Fall video from last year that had Freja portraying a Chinese peasant girl and a Chinese courtesan. Well this year we won't have to suffer through get to enjoy another brilliant piece of film making from Karl because WWD reports that he "...had no time to make a movie," for this year's Chanel pre-fall collection. So Freja won't be in yellow face, or black face, or some other face, to complete Karl's ballsy display of cultural insensitivity. And we won't have to sit through a laughable, but endearing in a weird way, video as we squirm with second hand embarrassment. In fact, it seems like this year is all about modesty and intimacy since the show is not even being held in some far-flung, exotic location as past experience would dictate. No London, Moscow, or Shanghai.

Instead it's being held in the good, old City of Lights.....Gay Paree! Rue Cambon to be exact. Tuesday, December 7th. So mark those calendars, because chances are Freja will be there. Gosh, I can't even remember the last time she missed a Chanel show, be it ready-to-wear, haute couture, resort or pre-fall. Maybe during the infamous SS09 season? Anyway, as WWD reports:

"After taking over every square inch of the vast Grand Palais in Paris for its spring ready-to-wear show earlier this month, Chanel is reverting to more intimate environs for pre-fall. On Dec. 7, the French house plans to show its latest métiers d’arts collection — a luxury rtw line made with the specialty ateliers Chanel owns — where it all started back in 2002: at its Rue Cambon couture salons."

So it seems like Freja fans will get their next fix in just a little less than one month. We might be entering into the holiday season, but fashion never rests. After all, the trends can't set themselves!

I Love You Karl

Yes, you Karl Lagerfeld. You, who have been the biggest and most loyal supporter of Freja. You, designer of Chanel, Fendi and up until this season Karl Lagerfeld. You, drinker of Diet Coke and wearer of sunglasses inside.

It's because of you Freja never faded away, even when she wasn't doing too well a few years ago. It's because of you that we get to see her in magazine ads every season. It's because of you that we can take comfort knowing she'll always be at at least one runway show during Resort and Couture seasons.

Thank you Karl and I love you Karl, no matter how ridiculous you may seem. My favorite model owes a large part of her career status and a record 4th consecutive Chanel campaign, amazing 6th overall, to your constant, unwavering support. I was a little bit worried when it seemed like your favor had swung over to Natasha, but I should know better than to doubt you.

Congrats on six Chanel campaigns Freja. You're a true Chanel woman and the perfect modern embodiment of the brand. I think you've most definitely secured your place in fashion history with this.

Direct from the source:

"Inès de la Fressange, the face of Chanel in the Eighties, will be back on the runway for the French brand at its show on Oct. 5, WWD has learned.

What’s more, Karl Lagerfeld has booked her to appear in Chanel’s spring/summer campaign, along with modeling greats from the two subsequent decades, Stella Tennant and Freja Beha Erichsen.

“She is beyond stunning,” Lagerfeld enthused about De la Fressange. “Also, she is the Parisienne.” Lagerfeld said the advertising shoot would take place in the south of France.

De la Fressange parted ways with Chanel in 1989 after a fracas over her lending her likeness to the French republic. But Lagerfeld and his former muse have recently enjoyed warm relations.

Today, De la Fressange is Roger Vivier’s brand ambassador."

Hello New York

Freja's first show of the season and first show in New York was Rag & Bone, where she did the honors of opening. Guess she's making up for missing the show last season due to illness or something of that nature.

Rag & Bone recently debuted a short documentary film directed by R. J. Cutler (of The September Issue fame) about their F/W 10.11 show held last February. In the film you can clearly see Freja's showcard on their model board, meaning she was most definitely slated to walk.

And all of the other models shown in the above screen cap definitely walked the show. But as we already established from the Hexa by Kuho behind the scenes videos, Freja was out sick. What's past is past, but it's always nice to know what really happened. There are so many unpredictable factors that sometimes it just feels good to be able to get a hold of one old mystery. :)

Anyway, Freja is definitely on the runways of NY but this time she's also out celebrating on its streets. She made an appearance last night at Karl's Chanel dinner feting the re-opening of the Chanel Soho Boutique, just like I hoped she would. Wearing her usual all-black ensemble, Freja looked a bit out of place among the other models who were dressed up in their very best dresses. But hey, would you expect anything else from Freja? Gotta hand it to her....she's consistent and loyal when it comes to her sartorial choices. An old interview she did comes to my mind, where she said that as a young girl she only wore one outfit consisting of Wrangler jeans and white tees. I guess you can lead a horse to water but you can't make it drink. ;)

New York is well on it's way so enjoy the shows! And have a great Fashion's Night Out!

Image Credits: vogue.it, style.it

On the Fire Escape

I am all for progress, change and the democratization of fashion that the internet has brought about. It's revolutionized the industry in a very good way. But sometimes, too much is too much. Case in point: I don't see too much difference between these candid shots from the making of the Chanel F/W 10.11 campaign...

and this actual campaign shot in the current issue of W Magazine...

At the time the candids leaked, I was as happy as anyone else was to get a glimpse of Karl, Freja, and Abbey at work. But now that the ads are starting to come out, I wished I hadn't seen all those candids because the final campaign images seems less special. In fact, some of them look just like the candids but with the "Chanel" logo slapped on them. It's pretty disappointing.

But that's life. You make some sacrifices in order to make some gains. So I guess I sacrificed the element of awe in order to satisfy my curiosity early on with the candids.

Image Credits: My scan, streetlevel.com, rachel_photo flickr

From Denmark to Paris to ?

We all have our traditions. Usually around this time of year most Americans are fresh off a weekend of grilling out and watching fireworks in celebration of the July 4th holiday. Freja, on the other hand, always seems to find herself jetting from Denmark to Paris around this time of year; going from crowded, dirty concert tents to immaculate, luxurious runways.

The Roskilde music festival is arguably one of the biggest draws on the European festival circuit. Freja was there last year decked out in some Alexander Wang, and seemingly not one to break with tradition (or give up on her love of music), she was there again this year also decked out in Alexander Wang.

Coincidentally, I happen to own the same green A Wang vest and let me tell you, it's amazing. (I swear I bought it before I knew Freja had it! Contrary to what you may think, I'm not that type of fan.) As soon as I saw the look on Iselin during the SS10 show, I just knew I had to have it. The best thing about it is the long, draping back made of black nylon. The panel wafts up in the air as you walk, kind of like a cape. So just picture Freja walking around, made even more imposing by a black cape trailing behind her. Pretty cool.

Anyway, judging from the blog post of the person who saw her at Roskilde, she was there on Friday, July 2nd. But yesterday, July 6th, saw her in Paris walking the Chanel Haute Couture F/W 2010 show just like last year.

No surprises here. You can always count on Karl and Freja. They're like Archie and Jughead, Sonny and Cher, Turner and Hooch, Inez and Vinoodh. ;) I may have ragged on some of their past collaborations, but I am truly grateful for their relationship. It's reliable and comfortable; a rarity in the fashion world where seasonal change triumphs.

Freja didn't open or close, but she had one of the last showstopping looks. From an Alexander Wang green military style vest to Chanel sequins and beading, Freja effortlessly moves from one look to the other. I never find myself surprised at the way she looks. No matter the setting, no matter the context, no matter her surroundings, Freja always looks like she inherently belongs. She never looks like she's out of her element; but rather, she always looks to me as if she's completely in it. And that's the mark of a true model.

So where next? From Denmark to Paris to the next job, wherever it may be. Here's hoping it's a good one!

Image Credits: fromthedeskofphyllis.blogspot.com, boohyouwhore.com, style.it

First Glimpse of Chanel

Here are the first snaps of the Chanel F/W 10.11 campaign:

Way too early to make my judgment yet, but I will venture to say that things don't look so bad. I don't know what I was expecting with the outrageous collection, but the contrast of the soft furs against the hard, brick and mortar NYC landscape is quite nice. It seems to be one of those odd pairings that end up working--the qualities of one offsetting and enhancing the other's.

I just love the shot of Freja and Abbey together. Their embrace mimics the enveloping embrace of the clothing, and their facial expressions are quite wonderful in their contrast as well. A smirk on Freja's; and impenetrable gaze on Abbey's. Maybe "contrast" is the wider theme at play here. But I won't know for sure until we see the whole set.

Speaking of, I always end up liking the complete campaign after I get to look at all the images, so I'm hoping Chanel sets up a section on their website like they did for last season's Latin Lover campaign. Just from these quick snaps I can already tell that I'm inclined to like this campaign way more than the Max Mara campaign. And yes, if Fashion Week Daily is to be believed, those images are indeed the Max Mara campaign and not part of a lookbook. What a letdown....

Image Credits: snaps by tFS member nothingless

St. Tropez Fun

It was great to see Freja back on the runway again. Despite donning three disparate looks, I thought she looked refreshed, comfortable and happy to be walking. Then again, who wouldn't be happy getting whisked away to St. Tropez this time of year to walk on the beach and play Chanel themed Bocce Ball?

The rest of the cast was made up of a mix of old and new models, all who seemed to be having a blast walking (mostly) barefoot around the cafe like beachfront setting. No matter what you think about Karl and his designs, he sure knows how to put on a good time for everyone, audience and models included. (There's a reason why Chanel is the one show that most models want to walk.)

We saw all of the usual suspects walking, but we also saw the likes of Crystal Renn, Tanga Moreau, Marloes Horst and Veroniek Gielkens making for one very interesting, unexpected and diverse cast. But diverse only in age, body shape and industry experiences. Racial diversity was glaringly non-existent, which is especially surprising to me since we're coming off a FW1011 runway season that saw breakthroughs for a wide variety of girls from different backgrounds: Lais Ribeiro, Joan Smalls, Mengyao Xi, Sun Fei Fei and Carla Gebhart immediately come to mind. Where were they?

Anyway, Karl's full film "Remember Now" also premiered in conjunction with the runway show:

There is surprisingly little of Freja to be seen throughout, which could be a good thing or a bad thing depending on how you look at it and taking into consideration the Paris-Shanghai film. For me, this film was definitely less cringe-worthy and actually pretty enjoyable. I'm going to attribute it to the fact that there was less talking and more dancing/partying. Taken for what it is--a tone piece meant to showcase the attitude of the collection--the film delivers and the models do a great job. Karl isn't pretending to be Spielberg here, so as long as you recognize that it's pretty easy to revel in the sheer entertainment value of it all. And I have to say that I laughed so hard when Uncle Karl made his cameo. Never change Karl....never change. And never stop using Freja for your work. It's something I've come to expect and frankly, depend upon. It's reliable and it comforts me, and that's a very rare thing to find in this industry that thrives off of trends and constant change. So even if I do complain sometimes, it's out of love and appreciation.

Your thoughts? Am I the only one who didn't mind the film? Thoughts on the runway casting? Did your favs walk? Didn't you think Freja looked good?

Image Credits: wwd.com