The Untold Crime
Vogue Nippon August 2010
Ph: Terry Richardson
Styling: George Cortina
It's taken me a long time to write about this editorial, mainly because I didn't know how to approach it. Sure the styling is great, Freja looks beautiful and overall the story is aesthetically pleasing, but it's shot by Terry Richardson. How can I reconcile my dislike for him with the fact that I'm essentially promoting his work every time I post it on this blog? And yet, I can't ignore his work with Freja because lately it's become a big part of her career (much to my dismay). Her last two editorials have been shot by Terry, and since she seems to be a new Vogue Paris "it" girl, you can bet that a lot more of her future work will be shot by Terry as well. As a blog that purports to be about Freja's work and her place within the industry, I can't ignore this aspect of it as much as I want to.
But hey, doesn't one of life's greatest lessons teach us that ignoring problems won't make them go away? So despite my extremely conflicted feelings I'm going to address this editorial and why I think it's existence is so problematic and so emblematic of the negative aspects of the fashion industry today. Now before you harp on me for being overly sensitive, prudish, extremist or whatever else you want to call me, you should know a few things about what I believe:
-The work that someone produces (no matter how good) should never be used to justify his harmful actions. I don't believe in compartmentalizing or creating a separation between the two because that can lead to a very slippery slope. Let me put it another way--would you excuse a priest who has sexually molested a boy just because of the work he does in his church? In this case would you ever create that separation? So even if I like how this editorial looks, I feel that to concede to it would essentially be to condone Terry.
-There is already an inherent power imbalance in the photographer/subject relationship made all the more worse by those who think they can sexually coerce others in the name of their "art." Our apologetic society, when faced with these issues of sexual impropriety, tends to blame the victims instead of force the perpetrators to take responsibility for their actions.
-Basic human rights and values should take precedence over all else, pretty editorials and fashion products included. Nothing can justify the degradation and exploitation of another human being. And as they say, a picture is worth a thousand words, but it's not worth basic human dignity and decency.
-Just because something is commonly done among a group of people doesn't make it right. Nor does it give us the right to apathetically accept their actions as the status quo. If people throughout history had thrown up their hands in defeat whenever they were faced with rampant injustice, the world would be a much different place. I've heard so many times that Terry isn't the only photographer with a questionable work approach. But you know what? He's the most obvious and prominent offender with plenty of accusations stacking up against him and a body of work that shows it. If nothing can be done about him then the fashion industry is facing bigger problems than declining sales figures and pinched bottom lines.
I'm well aware that I'm not in any position of authority here. I exist outside the fashion industry and this blog exists on the very periphery of the fashion landscape. Most of the time I feel very guilty and hypocritical for consuming as much fashion as I do. I don't even know how many people are actually going to read this whole post. Maybe a handful of you if I'm lucky? My attempts to keep this issue from disappearing seem futile, but I would feel even worse if I didn't even try to say something about how disappointed I am that Terry continues to work for high profile clients despite everything that has transpired. Way to go fashion! Way to have a backbone and stand up in solidarity with the women you profess to love and empower! Oh wait....
To top it all off, it seems like Terry has toned down his aesthetic in order to appease the situation. This editorial (and also the last one he shot for W magazine) is decidedly less provocative than the work he was doing prior to the accusations. Hmmmm....I do believe this is intentional. In the same vein of him taking down certain pictures from his blog immediately after the clamor over his scandal erupted, I can't help but think that Terry is toning down his work to placate naysayers. And sadly, it seems to be working. After all, his work is back in the pages of W Magazine after a long hiatus, and general consensus about this editorial seems to be positive. It's as if everyone has already forgotten that the scandal even happened.
Well I'm not ready to forgive and forget just because Terry took some good pictures. But it's so disheartening to realize that nothing will ever be done, and that he will continue on without suffering any consequences. Instead of facing the issue and taking action, the industry at large (minus bloggers) has ignored allegations against Terry. In fact, it feels like they've rewarded him in a way. His work is showing up again in a mainstream publication that he's been banned from for many years (Stefano Tonchi, if this is the direction you're going to take W magazine in, I wish you would have just stayed at T.) And his fashion friends have been doing damage control by coming out and making statements to the effect that he isn't a bad guy. Now people have stopped talking about the issue as well. If we aren't the ones to make a big deal out of this and if we can't even create a sustained dialogue, then there's no reason for magazines and designers to stop working with Terry. There's no reason for anyone to make him face the consequences of his actions because no one is holding him accountable.
When I'm faced with inevitabilities like this I begin to understand why so many people eschew fashion because to them it seems superficial, petty and harmful. We turn our heads and pretend problems don't exist, just so collections and magazine issues get released on time. Underage models? Sweatshop labor? Sexual abuse? Unhealthy body expectations? All of those things are swept under the rug. At most they're posted about on blogs and treated like a water cooler topic among fans, but nothing is ever really done. These problems are pervasive and so deeply entrenched into the very fabric of what makes fashion, fashion.
And it's pretty evident to me why serious discourse around these social and political issues is nearly non-existent. The majority of fashion followers don't want to infuse this seriousness into something they regard as an indulgence and an escape. Either that, or they're just too afraid to speak up, too jaded to care, or just too enthralled with the glamorous side of things (like I once was) to even see the grit underneath. I can also understand that no one wants to bite the hand that feeds them. If I worked in the industry and my paycheck came from fashion, would I think differently about all of this? Would I stop trying to make this an issue? I would really like to think not and say that nothing could cause me to compromise my beliefs. But I guess you never really know until you're actually put in that situation.
Anyway, I know that this post isn't what most of you want to see or read on a Freja blog. But sometimes there are just more pressing matters at hand than how our favorite model looks in her newest editorial. I hope you understand. And for the sake of fashion's future, I really hope with all my heart that something will be done about Terry eventually. But I'm not holding my breath.
Image Credits: scans by tFS member MAGstyle
Showing posts with label Vogue Nippon. Show all posts
Showing posts with label Vogue Nippon. Show all posts
Monday, July 5, 2010
Saturday, January 30, 2010
News Bytes
-To coincide with the arrival of spring accessories on his e-commerce site, Alexander Wang is releasing a behind the scenes video of his SS10 runway show. Style.com has a short preview which you can see above. It's only 45 seconds and you can see Freja about 16 seconds in. The full version will be released Monday on Alex's site, and if the preview is any indication, it looks like we'll get plenty of Freja to satisfy our backstage curiosities.
-Freja moved up a rank to a solid number 4 on models.com Top 50 Models list. Lara, Anja, Natasha, Sasha and Raquel are the only ones before her. If I recall correctly, Freja's career high position was number 2, but I could be wrong. Any one remember? Anyway, as long as she keeps working at the same pace and level that she's been at for this past year, I don't see any reason why her rank wouldn't gain one or two more spots. However, I'm not sure she'll ever reach the number 1 spot. Freja's a wonderful model, but let's be realistic; you have to be damn near iconic (I'm talking within the industry here, not just with fans) to reach that spot and her quantity of work just doesn't add up. If Meisel shoots her for a Vogue Italia cover, US Vogue puts her on their Models of the Moment issue, Nick Knight features her on ShowStudio monthly, and she lands blue-chip ad campaigns beside Chanel then we'll talk. Until then, it's not gonna happen. (Prove me wrong Freja, because I would be happy to eat my words.)
-You can see preview images of Freja's new Vogue Nippon editorial shot by Terry Richardson here and here. Being that the images are low quality, I'm pretty much ideologically opposed to everything that Terry Richardson stands for, and I need a break, I'll spare you the long write up about this ed...not that any of you were dying to read it in the first place I'm sure.

-New York Fashion Week officially beings in 12 days on February 11th! We'll likely see Freja touch down for her first show Friday night at Rag & Bone...that is, assuming she's going to walk this season. I don't see why she wouldn't, but with Freja I've always come to expect the unexpected. And the SS08 and SS09 seasons are always fresh in the back of my mind, making me hold my breath in hope that she doesn't unexpectedly skip out again. We'll see. After all, life's pleasures are derived in anticipation.
Image Credits: imgmodels.com
Image Credits: imgmodels.com
Saturday, May 30, 2009
My Cowgirl Hero, Indeed
I actually really like this editorial. Even though I had my reservations in the last post, and even though Freja is still stuck playing the role of the androgynous tough girl, this is a really beautifully shot editorial. Solve Sundsbo has a talent for creating very striking images. I love his use of tonality and shading to create this very mysterious vibe, all while spotlighting the clothes that really do have a western cowgirl feel to them (except maybe for the Balmain dress). For a studio shoot, this editorial is completely engaging and far from boring, even though it is a bit cliche in terms of Freja's oeuvre.
My Cowgirl Hero
Vogue Nippon July 2009
Ph: Solve Sundsbo
I'd really like to see these images in color. Even though I love black and white photography, when it comes to fashion spreads I can't help but feel that an important dimension is taken away from the clothes when they're only shot in b&w. And I wish Solve had shot this on location somewhere. Perhaps the location where he shot this editorial would have also been apropos for this one, non? Anyway, this is definitely one of Freja's strongest editorials in a while, but I just hope it isn't the sole indicator of what we can expect to see from her work wise in the upcoming months. I'm just waiting for someone to give her the chance to show off her softer side once again. That being said, it is weird that my favorite image from the editorial is this one?

My Cowgirl Hero
Vogue Nippon July 2009
Ph: Solve Sundsbo
I'd really like to see these images in color. Even though I love black and white photography, when it comes to fashion spreads I can't help but feel that an important dimension is taken away from the clothes when they're only shot in b&w. And I wish Solve had shot this on location somewhere. Perhaps the location where he shot this editorial would have also been apropos for this one, non? Anyway, this is definitely one of Freja's strongest editorials in a while, but I just hope it isn't the sole indicator of what we can expect to see from her work wise in the upcoming months. I'm just waiting for someone to give her the chance to show off her softer side once again. That being said, it is weird that my favorite image from the editorial is this one?

It's such a soft, quiet, introspective moment. Seemingly out of place when compared to the other images where Freja is posing strongly and glaring at the camera. Maybe that's why I love it. It's unexpected and simple, yet beautifully and precisely composed. I also love it because you can see five of her tattoos, some of which we've never seen clear images before. The dashed circle behind her ear, the inverted triangle on the back of her neck, the lightning bolt on her side, the phrase on her arm, and the "mine" part of the "this world tonight is mine" phrase tattooed on her wrist. For the longest time I just thought it said "this world tonight." And don't you just love how the triangle tattoo is echoed by the triangle on the strap of the Hermes vest? Intentional or not, that's just so beautiful.
Anyway, huge thanks to MAGstyle at tFS for taking the time to make these beautiful scans. If you're a member of tFS, remember to thank him and to thank all those that scan. It's a tough job and they're generous enough to do it.
Image Credits: Scanned by tFS member MAGstyle
Anyway, huge thanks to MAGstyle at tFS for taking the time to make these beautiful scans. If you're a member of tFS, remember to thank him and to thank all those that scan. It's a tough job and they're generous enough to do it.
Image Credits: Scanned by tFS member MAGstyle
Labels:
Androgyny,
Editorial,
Solve Sundsbo,
Vogue Nippon
Friday, May 29, 2009
Little by Little
Two more pictures have surfaced of Freja's editorial in Vogue Nippon. At this rate maybe we'll get to see the entire thing by the time the SS shows roll around? :) I wish my local bookstores carried Vogue Nippon because then I'd just scan the images myself, but no suck luck. Well, patience is a virtue as they say.
Anyway, from the images so far this editorial doesn't seem to be anything groundbreaking. Don't get me wrong, Freja looks great albeit a little too stern in the eyes for my tastes, but I just wanted to see her doing something else besides the androgynous, tough girl. (At this point I would even love to see Freja jumping against a studio backdrop in a Mario Testino photographed editorial because it would be something different for her.) We've seen this before in Vogue Nippon, and seeing her other Solve Sundsbo collaborations, I guess I was just expecting something very different and new. I'll hold my final judgment until we see the complete editorial, but I doubt the rest of the images will veer away from the mood and theme set by these. Work is work though and I guess we should just be happy for what we can get.
Image Credits: hudie.com via tFS member Joerg C.
Wednesday, May 27, 2009
Preview!
Courtesy of surrealseven @ tFS:
Looks interesting so far! I'm keeping my fingers crossed that we get the rest of the images today!
Looks interesting so far! I'm keeping my fingers crossed that we get the rest of the images today!
Tuesday, May 12, 2009
Art of Melancholy
Huge, huge thank you to tFS member nothingless for getting HQs of this old editorial. I had been looking for high quality images for a long time without any luck, and nothingless was generous and kind enough to help me out by getting the images from art+commerce.
Art of Melancholy
Vogue Nippon March 2008
Ph: Solve Sundsbo
This is one of my favorite editorials featuring Freja. The vibe of the shoot is just so alluring. Maybe it's her glistening skin or the vibrant colors of the clothes against the homogeneous desert backdrop. But the images absolutely pull you in. Can't you just feel the sun's rays radiating down on your skin? Can't you feel the dry and dusty desert air whip around the beads of sweat forming on your neck? The isolationism often associated with this harsh landscape is perfectly captured here with the eerily decrepit setting and long shadows. Add to this mix Freja's brooding stare and nonchalant body language and you really have the art of melancholy.
Image Credits: art+commerce via tFS member nothingless
Art of Melancholy
Vogue Nippon March 2008
Ph: Solve Sundsbo
This is one of my favorite editorials featuring Freja. The vibe of the shoot is just so alluring. Maybe it's her glistening skin or the vibrant colors of the clothes against the homogeneous desert backdrop. But the images absolutely pull you in. Can't you just feel the sun's rays radiating down on your skin? Can't you feel the dry and dusty desert air whip around the beads of sweat forming on your neck? The isolationism often associated with this harsh landscape is perfectly captured here with the eerily decrepit setting and long shadows. Add to this mix Freja's brooding stare and nonchalant body language and you really have the art of melancholy.
Image Credits: art+commerce via tFS member nothingless
Friday, April 17, 2009
Versatility Validated
Versatility is a term that is all too frequently thrown around when it comes to models. I think there are actually only a few girls who are truly versatile and Freja is one of them. Here's your proof:
Bergdorf Goodman Catalog FW07
Ph: Candace Meyer














The Rise of the Cyber Patrol
Vogue Nippon January 2009
Ph: Nathaniel Goldberg









This is why I absolutely adore Freja as a model. She can go from looking so beautiful and feminine to looking so androgynous and tough. Her facial features seem to adapt so easily to these extreme moods. And yet, when you see her in candids and backstage photos, you can always recognize her distinctive face. This seemingly contradictory quality is something truly special in a model, and all the top girls have it.
On a side note, the first set of pictures was gathered from three different sources and I'm sure some of them are outtakes. If anyone has any more information about the catalog shoot, or better yet some of the pictures in HQ, leave me a comment. I'd really appreciate it. It's one my favorite sets and I've been trying to find out more about it!
Image Credits:
First Set: candacemeyer.com, jkreps.com, Mixologies LiveJournal
Second Set: Scanned by tFS member MAGstyle
Bergdorf Goodman Catalog FW07
Ph: Candace Meyer








The Rise of the Cyber Patrol
Vogue Nippon January 2009
Ph: Nathaniel Goldberg









This is why I absolutely adore Freja as a model. She can go from looking so beautiful and feminine to looking so androgynous and tough. Her facial features seem to adapt so easily to these extreme moods. And yet, when you see her in candids and backstage photos, you can always recognize her distinctive face. This seemingly contradictory quality is something truly special in a model, and all the top girls have it.
On a side note, the first set of pictures was gathered from three different sources and I'm sure some of them are outtakes. If anyone has any more information about the catalog shoot, or better yet some of the pictures in HQ, leave me a comment. I'd really appreciate it. It's one my favorite sets and I've been trying to find out more about it!
Image Credits:
First Set: candacemeyer.com, jkreps.com, Mixologies LiveJournal
Second Set: Scanned by tFS member MAGstyle
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